Subtle Alpha Dominance
If you're new here, you may want to subscribe to The Rawness RSS feed. Thanks for visiting!
A reader named Dev provided me the following video of a producer for the Bill O’Reilly show ambushing Bill Moyers as an example of alpha dominance, and provided some analysis of it too. Now as a pretty right-wing guy, I agree with pretty much nothing Moyers says, but the beauty of this display is that the political content is irrelevant; it’s the body language and subtle verbal tricks that matter.
Now Bill O’Reilly does this a lot, where he sends his people to ambush popular left-wing figures about their views and challenge them to appear on his show. By getting them to blow up or run away, O’Reilly then makes the left-wing figures look like cowards and plays the clips on the air to show people how “afraid” they are of him. The goal is more to make them lose their cool and build himself up than to engage in meaningful debate. But Moyers totally flips the script on him.
First, look at how Moyers never gives him the satisfaction of losing his temper or changing his demeanor or facial expressions in any way. He keeps smiling, keeps doing wide and expansive movements and engaging the crowd with a sparkle in his eyes. The wide expansive movements guarantee that he’s taking up the most space and make his presence the most dominant presence in the room.
Look at how he ignores the producer’s questions and instead responds with his own questions to put the producer on the defensive. Suddenly the producer finds himself defending himself and his boss when he originally intended to be the attacker. It’s a brilliant yet subtle role reversal by Moyers. Notice how he keeps acting like he’s forgotten the producer’s name and also acts like he forgot that he met the producer once before. All are subtle techniques of reminding the producer who is inferior to who in the exchange. Moyer’s attitude toward the producer never rises above the benign, amused condescension that an adult shows toward a clueless child that is trying to challenge you but is so beneath your full efforts.
At around 2:10 Moyers switches to subtle digs at Bill O’Reilly and his credentials. He casually “forgets” Bill’s job history, challenges whether Bill is a real journalist and has now put the producer in a position where he has to now defend Bill as well as himself. At 2:20 is where Moyers really steps the game up as he places his hand on the producer’s shorter and leaves it there. Touching is a major dominance move, and you should always be mindful of when it’s being done to you, whether it’s slaps on the back, hands on the shoulders, or pats to the face. The person is signaling your inferiority to them. Even the cameraman seems to be mindful or it, as he moves the camera to focus on Moyer’s hand and holds it there. The producer should have subtly moved in such a way as to make the hand drop, or did some reciprocal touching of his own, but instead he just stands there and his status continues to plummet.
He also makes the producer look like a lackey or a gopher by constantly asking him why he had to be sent on Bill’s behalf and Bill couldn’t come himself to do his own dirty work. He does it in a way that sounds sympathetic even while he’s belittling him, as in “It’s really not fair what Bill is doing to you by sending you on these types of lackey errands, is it?” This seems to be creating a lot of cognitive dissonance in the producer, as Moyers is simultaneously knocking down his status while giving off sympathetic vibes and building rapport with the producer. At 2:30, he invites the producer to be a guest on his show, a total reversal of what the producer was originally trying to accomplish, which was to make Moyer’s a guest on O’Reilly’s show!
At 2:48 Moyers stops to ask the producer his name again (another convenient “forgetting”) and puts him in a position to respond. He does a little divide and conquer tactic by saying that “Bill doesn’t have the courage to come on my show, but I think you might.” At that point, the producer makes a futile last ditch effort to save what’s left of his balls, but by then it’s way too late. It just comes off desperate. Then at 3:00 Moyers really goes for the jugular by pointing out that he has had his own cameras filming the exchange this whole time and will air it unedited in its entirety, so if the Bill O’Reilly Show dares to try to edit the ambush to make Moyers looks bad, he will look foolish and dishonest. He’s preemptively takes away the last weapon the O’Reilly show has left, which is creative editing. At 3:45 Moyers incorporates the crowd into the act, giving some added pressure and belittlement as the group starts to chant the producer’s names. And it just goes downhill from there.
Look at how Bill O’Reilly tries to salvage what he can out of the debacle and save face on his show:
Classic.
Speaking of Alpha Males, I want to recommend a group I discovered last year called She Wants Revenge. If I had to describe it, I’d call it dance music for alphas. The beats are great, but what’s fascinating is how unique and insightful and pro-male their lyrics are. They often seem to be reveling in the beauty of being an unrepentantly dominant man.
This is one of my favorite songs from them; it’s called “What I Want,” but I prefer to call it “An Ode To Radical Feminists, Especially Female Lawyers.”
Here are the lyrics:
One of these days girl, you’re gonna wake up.
And I wont be there to break your fall, or brush you off.
When you come back down, no I wont.Would it kill you to show a little soft side.
It’s so attractive and sensual, it gets me off.
Isn’t that what you want? To get me off?What will you do lover, when your looks fade?
And you cant use them to get your way and what you want.
Will you be so proud? No you wont.Little girl so lost, your game is so tight.
Let you believe it yourself, and that just not right.
Don’t promise anything you can’t deliver to me.One of these days girl, you’re going to clean house.
Will you be able to sleep at night with what you find?
Will it matter at all? Tell me now.Would you sell your soul to live your dreams out?
Or would you hang on to you beliefs thats all you got.
Would you just breakdown, or hold you ground?What would it be like if all the talk stopped?
No one cared what you did anymore, who would you be?
Would you even know? Probably not.Little girl so lost, your game is so tight.
Let you believe it yourself, and that just not right.
Don’t promise anything you can’t deliver to me.Little girl so lost, your gonna to burn out.
I hope it’s not to late for you to learn how
to be a woman, cuz in the end, that’s all I want.Little girl so lost, your game is so tight.
Let you believe it yourself, and that just not right.
Don’t promise anything you can’t deliver to me.Little girl so Lost, your gonna to burn out.
I hope it’s not to late for you to learn how
to be a woman, cuz in the end, that’s all I want.
Recommended (Click on album covers to buy):




